Rare And Obscure Argo Recordings (XXIII)

Sonny Stitt

Sonny Stitt

Sonny Stitt recorded extensively throughout his career, so frequently that he often couldn't remember his sessions a year later. This informal session, cut in Chicago in 1958, is one that Stitt apparently forgot about, which is why the personnel (probably a local rhythm section that might include pianist Barry Harris) has never been definitively identified. Stitt, doubling on alto and tenor, plays some songs with unfamiliar titles, but all of the chord changes of the originals (half of them blues) are fairly basic. He is in above-average form, making this LP of interest for bebop collectors.

*Scott Yanow*

A record with a simple, elegant title — and a similar cover image too — but if you know Sonny Stitt, you know there's often plenty beneath the surface, and this classic Argo Records has plenty to offer, once you start listening! The album's right up there with Sonny's work for Roost — in terms of straight, strong, confident blowing — remarkably subtle, but also remarkably well-conceived, and proof that by the end of the 50s, Stitt had really matured greatly as a player — bringing so much to bear in very short space, and really coming up with imaginative solos in the process! The group's a quartet with Barry Harris on piano (although conflicting information also claims that it's Ramsey Lewis) — but Stitt's the main focus on this set, and for good reason — on titles that include "Jack Spratt", "Propapagoon", "This Is Always", "Everyone Does", and "Mr Sun".  *Dusty Groove, Inc.*

The front and back covers of this album feature the same photo, a close-up of Sonny Stitt. Even if the size is small enough for a CD booklet, it is a striking photo. But just like the analog version, the original artwork does not mention the musicians who complete the quartet. That is why many people still wonder who they are.

Some sources say they are Barry Harris on piano, William Austin on piano and Frank Gant on drums. But that is just an assumption. Fans who have heard Harris play even once should know that Harris' style and that of the pianist on this album are not at all similar. Furthermore, in an interview with the British magazine "Jazz Monthly", Barry Harris himself denied having participated in this recording.

I'd like to assume the theory that the pianist is Ramsey Lewis, given the similarities to other recordings from the same period that he participated in such as MAX by drummer Max Roach and The Colorful Strings Of Jimmy Woode by bassist Woode.

When Lewis visited Japan in August 2011, we asked him about it and he replied: "Yes... That pianist is definitely me. But I don't remember who the bass player and the drummer were."

Perhaps one day the doubt will be resolved. *Kazunori Hadada (from Japanese CD liner notes)*

1 - Propapagoon

(Sonny Stitt)

2 - This Is Always

(Harry Warren, Mack Gordon)

3 - Jack Spratt

(Sonny Stitt)

4 - Just You, Just Me

(Jesse Greer, Raymond Klages)

5 - Cool Blues

(Charlie Parker)

6 - Mister Sun

(Sonny Stitt)

7 - Dancing On The Ceiling

(Richard Rodgers, Lorenz Hart)

8 - Everyone Does

(Sonny Stitt)

Sonny Stitt (alto sax, tenor sax), possibly with:

Ramsey Lewis (piano), Eldee Young (bass), Isaac "Red" Holt (drums)

or

Barry Harris (piano), William "Bill" Austin (bass), Frank Gant (drums)

Recorded in Chicago, Illinois, 1958

Rare And Obscure Argo Recordings (XII)

Lem Winchester

And

The Ramsey Lewis Trio

Perform A Tribute To Clifford Brown

This out of print LP, Lem Winchester's first as a leader, matches his vibes with the early Ramsey Lewis Trio on a tribute to the late trumpeter Clifford Brown. They perform two of Brownie's best compositions ("Joy Spring" and "Sandu"), four standards (including "Jordu"), the obscure "A Message from Boysie", and Winchester's "Where It Is". A good example of Ramsey Lewis' original piano style, the little-known set is actually excellent and would be easily recommended to straight-ahead jazz fans if it could be found. *Scott Yanow*

This edition contains the complete long out of print LP Perform A Tribute To Clifford Brown (Argo LP 642), originally issued under the name of vibraphonist Lem Winchester. A former policeman in Wilmington (where he met Clifford Brown), Winchester died in 1961, at the age of 32, due to a tragic gun accident. This set, consisting of tunes either composed, favored by or dedicated to Clifford Brown, was to be Winchester's only recorded collaboration with pianist Ramsey Lewis and his regular trio, which included Eldee Young on bass and Isaac "Red" Holt on drums.*jazzmessengers.com*

One of the few albums ever cut by vibist Lem Winchester — a hip talent from the soul jazz generation, but one who left our planet all too soon! Here, Lem plays vibes with backing from the Ramsey Lewis trio — excellent rhythm work from Eldee Young on bass and Red Holt on drums — plus lyrical piano that blends nicely with the vibes, almost in a Jack Wilson/Roy Ayers sort of mode! Tracks include "Joy Spring", "Jordu", "Sandu", "Message From Boysie", and "Where It Is", an original by Winchester.  *Dusty Groove, Inc.*

1 - Joy Spring

(Clifford Brown)

2 - Where It Is

(Lem Winchester)

3 - Sandu

(Clifford Brown)

4 - Once In A While

(Michael Edwards, Bud Green)

5 - Jordu

(Duke Jordan)

6 - It Could Happen To You

(Jimmy Van Heusen, Johnny Burke)

7 - Easy To Love

(Cole Porter)

08 - A Message From Boysie

(Robert Lowery)

Lem Winchester (vibes), Ramsey Lewis (piano),

Eldee Young (bass), Red Holt (drums).

Recorded in Chicago, Illinois, October 8, 1958.